There are several stages in the cutting of a gemstone each of which may be carried out by a different expert. As an example, a rough diamond crystal could be fashioned into a brilliant cut. This is the most popular cut for this stone because it maximises the gems natural strong light dispersion. However, because each stone is a different shape, or has imperfections within it, or because retaining the weight is of paramount importance, the cut in its ideal form (the "make") may not be possible. Nevertheless the essential aim is to make the diamond bright and sparkling showing flashes of colour called fire.
To this end the size, number and angles of the facets are mathematically calculated. The rough crystal is swan or cleaved to obtain a basic, workable piece, then turned on a lathe against another diamond to give it a round shape. The facets are then cut and polished in stages and the stone is given a final polish before mounting.
Invented in the 18th Century this is the commonest cut used for Diamonds and is designed to reflect as much light as possible back up through the top. A brilliant cut stone has 56 facets, not including the table and culet. During the 19th Century the brilliant cut was constantly updated and developed. In the early part of the Century most stones were cushion-shaped (square with rounded edges - known as 'old cut') with a high crown, small table and large culet. By the end of the Century the crown became flatter and the table larger to allow more light to be reflected through the top of the stone (known as 'old european cut'). By 1910 most Diamonds were round rather than cushion-shaped (known as 'English round- cut brilliant'). The flat bottomed culet grew smaller and by C1920 it had become a sharp point (known as 'modern brilliant'). Most 19th Century stones, on close inspection, have facets which are not exactly symmetrical. This is common even in good-quality stones. With the availability of more advanced technology and cutting equipment in the 20th Century, facets became symmetrical.
The Step-Cut (or trap cut) shows coloured stones to advantage, having a rectangular or square table facet and girdle, with parallel rectangular facets. The corners of the fragile gems may be removed making octagonal stones as, for example, in most emeralds.
The mixed-cut stones are usually rounded in outline with the crowns (above the girdle) cut as brilliants and the pavilions (below the girdle) step cut. Sapphires, rubies and the most transparent coloured stones are cut in this style.
The fancy-cut stones have several possible outlines such as triangular, kite shaped, lozenge shaped, pentagonal or hexagonal. The cut may be used for rare gems or to make the most of a flawed or irregular shaped gem.
Old European Cut
See Brilliant Cut - an early form of brilliant cut showing the small table facet. Found mostly in antique jewellery.
Eight Cut/Single Cut
The eight cut is a modern version of the brilliant cut, usually used for small Diamonds of under 0.05cts. It has been used since 1910 and is less costly than the brilliant cut because it contains considerably fewer facets, and therefore wastes less material. Jewellery incorporating eight-cut Diamonds is usually less valuable than a piece using brilliants. The eight-cut creates a similar effect, however, the difference is not visible until examined through a lens.
Oval Brilliant Cut
See Brilliant Cut - used for many gemstones including Diamond.
Pear Brilliant Cut
See Brilliant Cut - another commonly used cut, also known as a 'drop'.
Heart Brilliant Cut
A popular cut for engagement rings and used for many gemstones. This cut was popular as far back as the 18th Century and then again in the Edwardian Period.
Marquise Brilliant Cut
Also called 'navette' or 'boat shaped' this is a modification of the brilliant cut. The shape was popular in 18th Century French court jewellery but fell out of favour until the late 19th Century. It has been in use ever since.
Square Brilliant Cut
See Brilliant Cut - also known as 'princess cut'.
So named as it is commonly used for Emeralds to show the 'garden' of the stone. This was developed in the 19th Century but not widely used until the 20th Century.
The cabachon cut is when a stone is polished unfaceted to give it a domed top. This has often been used for heavily flawed stones that would not benefit from faceting. This cut is almost always used for opaque stones such as opals and turquoises. This cut has been used since the 19th Century.
This is often used for Sapphires or Rubies and has a distinctive rounded pavilion.
A very old cut dating from before the 16th Century. Mainly used for Diamonds, being an economical cut. These stones contain 24 triangular facets on the top and a flat base. The Victorians also liked blood-red pyrope garnets cut in this style.
A variation of the rose cut in extended form.
The proportions are the angles, their measurements and their relationship to one another. The specific parts of the cut diamond measured are the table percentage of the diameter, the crown angle, the pavilion angle, The total depth percentage of the diameter, The crown height percentage of diameter, the pavilion depth percentage of diameter, lower girdle facet percentage of pavilion depth, the star facet percentage of the crown and the girdle thickness.
The finish is the quality of polish and the symmetry of the diamond and all the facets. The optical attributes of a diamond are Brightness, Fire and Scintillation.
Brightness, also called brilliance is the effect of the internal and external reflection of white light. The proportions of the diamond play the main role in determining the brightness.
Fire refers to the flashes of color resulting from the white light being dispersed into spectral colors.
Scintillation refers to the areas of light and dark when viewing the top of the diamond. All these are factored with design and craftsmanship to assign a cut grade of Excellent, Very Good, Good, Fair or Poor using the GIA Cut-grading System for round brilliant cut diamonds.